Hello, this is Priya Iyer. Welcome to Ten Thousand Journeys, where I explore the themes and stages of archetypal journeys through personal essays, poems, and books. I shared this post earlier in the year but, because there are many new readers who may not have read it, here it is again (this is a slightly revised version).
If you’re reading this in an email, I hope you’ll also visit the website to take part in the community conversation and to dip into the archives. Thanks!
Dear Reader,
I want to share an experience I had a few days ago. I was in the kitchen early in the morning. It was dark outside, darker because of daylight savings time. Strangely, I was awake earlier rather than later. I turned on the kitchen light, and instead of setting the pot for morning chai, I went to the window overlooking the backyard. I saw my reflection in the glass, part of my face, and the outline of my body. And this is where things get stranger. It was still and quiet both inside the house and outside. Looking at my reflection, I imagined myself opening my mouth wide as though yawning, a great big yawn. A crowd of small birds flew out of my mouth, their black bodies made invisible by the dark morning. I caught the occasional gleam of their hungry eyes and the sheen of their wings. They hovered in place like hummingbirds, a shimmering black cloud, both watchful and silent. And then, when I made no effort to call them back, they flew away.
Of course, I imagined this, but it felt profound. That part of the early morning felt like a liminal time when such an event was possible or expected. If a flock of birds residing in your chest cavity, or more likely, the pit of your stomach, is going to leave, this was the time they would do it. And, of course, they would linger in the air in case you changed your mind.
This imagined incident felt especially meaningful because I’d been thinking about my stories, the ones I held onto from long ago. I had reflected on them, ruminated endlessly, and talked about them at almost every opportunity. In the middle of the latest retelling, I realized I was tired of them. I didn’t want to take them out and parade them yet again. But, until this moment, I hadn’t been able to let them go either. After all, each bird was a story, and what is a writer without her favorite stories?
When we separate from old stories, and older versions of ourselves, we depart from that familiar world and enter a newer one. Departure is the first stage of archetypal journeys. The separation may be instantaneous, or it might be staggered over many stages. We may consciously make a choice to leave something behind, and a mundane example I can think of is when we decide to change a habit. And there are those times when we realize we have changed, without knowing how or when it happened, our old stories and limiting beliefs falling unnoticed like a shroud slipping off our shoulders.
Back in the kitchen, I turned back from the window. As I brewed my chai, I felt lighter, as though I had previously harbored birds within my body and now was emptied.
I wondered if I would need to do it again the next morning. I wondered how the birds got in without my noticing.
Reader, I would love to know what you think and how you’ve experienced departure.
Best,
Priya
Love this prompt as "departure" is something that I feel I've been exploring in taking up photography in the last year or so. I even had "departure" as the theme for awhile on my Adobe portfolio site. It's certainly one theme of my work.
The most obvious sense of departure is wanting to become a photographer after 15+ years of corporate work. Also deciding to leave the old career behind.
But there is another level to it that I'm sensing given that I'm now an abstract photographer.
In abstract photographer, there are essentially no rules. I decide what "the rules" are for how I alter an object or setting based on the movements I make during the exposure. I also decide what the rules are, image by image, for how I will edit that image in a manner that most brings out its character that's revealed during the editing process.
I wonder if subconsciously, I needed to ignore the rules of so many years of rule-laden work. I started out with attempting to become a very technical photographer but it did not sit well with me.
So, I departed from the traditional lessons of photography in order to become more in touch with myself by getting out there and practicing curiosity and playfulness.
I do wonder if my abstract photography is a sort of a protest against so many years of rigidity around thinking and entrenched ways of doing things.
Absolutely love this piece Priya. Lots to think about.